Yellow refers to a subgenre of Italian cinema that appeared in the 70s, starting with the success of Darius Silverthis is The bird with the crystal plumage. Influenced by the works of Agatha Christie, Yellow movies typically include serial killers, mystery, erotica, and intelligent cinematography. The phrase literally means “yellow”, a reference to the subgenre’s origins with pulpy Italian detective stories published with yellow covers.
In 2020, the biggest horror subreddit, r/horror, held a poll to vote for the best Yellow movie. The resulting top 10 contains a lot of quintessence Yellow Film to sink your teeth into it. Fans of the genre, or newcomers looking to give it a try, should find some gems to enjoy.
‘Stage Fright’ (1987)
Stage fright is a slasher film directed by Argento’s protégé Michele Soavi, who had already starred in several of Argento’s films. It centers around a theater group performing a musical about an owl-headed killer. However, the line between fiction and reality blurs when one of the cast members dons the owl mask and slaughters people in real life.
The premise is nothing special, but the film is distinguished by an abundance of memorable images, especially the owl costume (which could have inspired under the silver lake) and an assortment of lethal weapons, including a pickaxe and a chainsaw. Without forgetting, like so many Yellow movie, runs to 86 minutes.
A young man Jennifer Connelly plays the role of Jennifer in this film, a girl with psychic powers and able to communicate with insects. After her roommate is murdered at their elite Swiss boarding school, Jennifer tries to use her skills to catch the killer. Much of the budget was spent on insects seen in the film, including spiders and scorpions imported from Africa. She really is an entomophobe’s nightmare.
Argento’s knack for striking visuals is on display again, and he makes good use of the color blue throughout the film. Upon its release, most critics considered it phenomena inferior to Argento’s best work, but his reputation improved over the following decades. She also had a second life on home video. The Blu-Ray version released in 2017 was very popular.
This proto-slasher takes place on a college campus, where a killer is stalking students. The killer wears a mask and strangles people by strangling them with a scarf. This is the director’s iconic film Sergio Martinowho worked on dozens of films from the 1960s to the early 2000s.
Torsoit’s one of the trashiest Yellowbut that is also its charm. It may not be as challenging as the other films on this list, but it’s still beautifully shot and features two phenomenal scenes: one depicts an attack in a misty forest, and the other focuses on one of the characters helplessly watching his friends. killing. Quentin Tarantino he’s a huge fan of the film, just as it is Eli Rotwhich he says influenced his film Hotels.
“Don’t Torture a Duckling” (1972)
Don’t torture a duckling it was directed by a talented horror director Lucius Fulcialso who did it The psychic And the afterlife. It revolves around a series of murders of children in a small Italian town, driving its inhabitants into a frenzy. Locals quickly turn against each other, hurling accusations and passing on old grievances. A cop and two other people begin digging into the case as the situation becomes increasingly volatile.
Of all Yellow masters, Luci had the greatest passion for schlock. Her films are full of gory and gruesome practical effects. But she also tackles complex topics. Like many yellows, Don’t torture a duckling explores religion and is skeptical of priests and the church. It’s also a commentary on small-town life and the ferocious politics that can take root there.
Opera is yet another film by Dario Argento. In the film, a masked killer harasses an opera house, picking off victims one by one. The killer even attacks some of the opera’s pet ravens, which are used for a production of macbeth.
There’s a big scene towards the end of Opera where the birds take their revenge on the killer. One of the main characters, Marco (Ian Charlesson), unleashes a flock of crows into the opera house during a performance. The birds recognize the assassin who attacked them, then unleash avian mayhem upon him, gouging out his eye. The early riser attracts attention.
“The Bird with the Crystal Plumage” (1970)
Sat (Toni Musante) is an American expatriate living in Rome. He witnesses a murder, so he and his girlfriend (Suzy Kendall) put on their amateur detective hats and begin to investigate. In the process, they meet an assortment of wacky characters. Even if it was there before Yellow movie, like Mario Bavathe 1963 movie the girl who knew too much, The bird with the crystal plumage it was the first to find success, both critically and commercially. It put the genre on the map.
Here, Silver happily displays his knack for ramping up tension. The film’s best moments aren’t the violent scenes, but rather the quiet scenes just before them, where Argento creates anticipation and dread. At his best, he competes Hitchcock as purveyor of macabre emotions.
‘Blood and Black Lace’ (1964)
Blood and Black Lakeit’s a start Yellow film by the master of Italian horror Mario Bava, who also directed the excellent anthology film black saturday. It takes place in a fashion house in scandal-ridden Rome, where a masked killer begins to prey on the models.
The film helped establish several keys Yellow tropes, like the killer who always wears gloves. He also has a unique visual style that makes bold use of primary colors. Indeed, Bava blends an arthouse sensibility with a B-movie enthusiasm for gore. It turned out to be an effective combination. Blood and black lace has influenced several directors and has been referenced directly by Martin Scorsese, Pedro Almodovar, and, of course, Dario Argento.
“The Darkness” (1982)
Dark (Italian for “darkness”) is another film by – you guessed it – Dario Argento. Follows crime writer Peter Neal (Antonio Franciosa), who is on tour in Rome to promote his latest book. However, he finds himself entangled in the search for a serial killer who seems to have drawn inspiration from his novels. Argento got the idea for the film after he started receiving death threats from some of his fans.
What sets Dark apart from its meta quality. This has been interpreted as Argento’s response to criticism of his previous films, particularly allegations that his work was too violent. Upon release, it was banned in the UK and censored in the US, but the original version has been re-evaluated in recent years. Many fans and critics have since ranked it among Argento’s best works.
he sighs maybe silver most popular movie. Suzy follows (Jessica Harper), a young ballerina who begins studying at an elite dance academy, but a series of murders disrupts the school. Suzy begins to investigate and eventually stumbles upon a plot involving dark magic. And how Black Swanbut with more sorcery and stabbing.
One of Argento’s most elegant and lively films, he sighs uses bright, hyper-stylized colors and exaggerated visuals alongside a stunning soundtrack from the band Leprechaun. He has become a cult over the decades and has influenced several directors, including call me by your name director Luca Guadagnino who remade it in 2018. Guadagnino’s version ditches the bright colors for a subdued winter aesthetic, but it’s still well-designed and worth a look.
“Deep Red” (1975)
Dark red is another cult classic Yellow Silver film. A jazz pianist (David Hemmings) witnesses a murder by an assassin wearing black leather gloves. He and the journalist Gianna (Daria Nicolodi) set out to identify the culprit and stumble upon a web of mysteries in the process. Argento’s directorial fireworks are on display here, including a camera that never seems to stop moving. He even throws in a really evil doll for good measure.
The film influenced several horror directors. Specially, David Cronenberg imitated one of the dead of Dark red with the explosive scene of his film Scanner. Halloween 2 he also copied a kill scene in which a character is murdered with boiling water. Dark red it’s also a favorite of Quentin Tarantino, who has said the film “rocked” him as a teenager.
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